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Georg Wilhelm Friedrich Hegel
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Aesthetics: Lectures on Fine Art
INTRODUCTION
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PART I THE IDEA OF ARTISTIC BEAUTY, OR THE IDEAL
INTRODUCTION
Chapter I CONCEPT OF THE BEAUTIFUL AS SUCH
Chapter II THE BEAUTY OF NATURE
Chapter III THE BEAUTY OF ART OR THE IDEAL
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PART II DEVELOPMENT OF THE IDEAL INTO THE PARTICULAR FORMS OF ART
Introduction
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SECTION I THE SYMBOLIC FORM OF ART
Introduction—The Symbol in general
Chapter I UNCONSCIOUS SYMBOLISM
Chapter II SYMBOLISM OF THE SUBLIME
Chapter III CONSCIOUS SYMBOLISM OF THE COMPARATIVE ART-FORM
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SECTION II THE CLASSICAL FORM OF ART
Introduction—The Classical Type in General
Chapter I THE PROCESS OF SHAPING THE CLASSICAL ART-FORM
Chapter II THE IDEAL OF THE CLASSICAL FORM OF ART
Chapter III THE DISSOLUTION OF THE CLASSICAL FORM OF ART
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SECTION III THE ROMANTIC FORM OF ART
Introduction—Of the Romantic in General
Chapter I THE RELIGIOUS DOMAIN OF ROMANTIC ART
Chapter II CHIVALRY
Chapter III THE FORMAL INDEPENDENCE OF INDIVIDUAL CHARACTERISTICS
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PART III THE SYSTEM OF THE INDIVIDUAL ARTS
INTRODUCTION
DIVISION OF THE SUBJECT
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SECTION I ARCHITECTURE
INTRODUCTION
Chapter I INDEPENDENT OR SYMBOLIC ARCHITECTURE
Chapter II CLASSICAL ARCHITECTURE
Chapter III ROMANTIC ARCHITECTURE
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SECTION II SCULPTURE
INTRODUCTION
DIVISION OF THE SUBJECT
Chapter I THE PRINCIPLE OF SCULPTURE PROPER
Chapter II THE IDEAL OF SCULPTURE
Chapter III THE DIFFERENT KINDS OF PORTRAYAL AND MATERIAL, AND THE HISTORICAL STAGES OF SCULPTURE'S DEVELOPMENT
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SECTION III THE ROMANTIC ARTS
INTRODUCTION
Chapter I PAINTING
Chapter II MUSIC
Chapter III POETRY
TRANSLATOR'S POSTSCRIPT
Sir Thomas Malcolm Knox (ed.)
,
Hegel's Aesthetics: Lectures on Fine Art, Vol. 1
Contents
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Front Matter
Frontispiece
TRANSLATOR'S PREFACE
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Aesthetics: Lectures on Fine Art
INTRODUCTION
Close section
PART I THE IDEA OF ARTISTIC BEAUTY, OR THE IDEAL
INTRODUCTION
Chapter I CONCEPT OF THE BEAUTIFUL AS SUCH
Chapter II THE BEAUTY OF NATURE
Chapter III THE BEAUTY OF ART OR THE IDEAL
Close section
PART II DEVELOPMENT OF THE IDEAL INTO THE PARTICULAR FORMS OF ART
Introduction
Close section
SECTION I THE SYMBOLIC FORM OF ART
Introduction—The Symbol in general
Chapter I UNCONSCIOUS SYMBOLISM
Chapter II SYMBOLISM OF THE SUBLIME
Chapter III CONSCIOUS SYMBOLISM OF THE COMPARATIVE ART-FORM
Close section
SECTION II THE CLASSICAL FORM OF ART
Introduction—The Classical Type in General
Chapter I THE PROCESS OF SHAPING THE CLASSICAL ART-FORM
Chapter II THE IDEAL OF THE CLASSICAL FORM OF ART
Chapter III THE DISSOLUTION OF THE CLASSICAL FORM OF ART
Close section
SECTION III THE ROMANTIC FORM OF ART
Introduction—Of the Romantic in General
Chapter I THE RELIGIOUS DOMAIN OF ROMANTIC ART
Chapter II CHIVALRY
Chapter III THE FORMAL INDEPENDENCE OF INDIVIDUAL CHARACTERISTICS
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