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Ernest Hartley Coleridge (ed.), The Complete Poetical Works of Samuel Taylor Coleridge: Including Poems and Versions of Poems now Published for the First Time, Vol. 2: Dramatic Works and Appendices
Contents
- Close sectionDRAMATIC WORKS
- Close section1794
- Close section1797
- Close section1800
- Close sectionThe Piccolomini
- Close sectionThe Death of Wallenstein.
- MISTRANSLATIONS
- Close section1812
- Close sectionRemorse.
- PREFACE
- PROLOGUE by c. Lamb
- EPILOGUE Written by the Author, and spoken by Miss Smith in the character of Teresa. [As printed in The Morning Chronicle, Jan. 28, 1813.]
- REMORSE A TRAGEDY IN FIVE ACTS DRAMATIS PERSONAE
- Close sectionACT I
- Close sectionACT II
- Close sectionACT III
- Close sectionACT IV
- Close sectionACT V
- APPENDIX
- Close sectionRemorse.
- Close section1815
- Close sectionEpigrams
- An Apology for Spencers
- On a Late Marriage between an Old Maid and a French Petit Maitre
- On an Amorous Doctor
- Of smart pretty Fellows
- On Deputy --
- To be ruled like a Frenchman
- On Mr. Ross, usually Cognominated nosy
- Bob now resolves
- Say what you will, Ingenius Youth
- If the guilt of all lying
- On an Insignificant
- There comes from old Avaro's grave
- On a Slanderer
- Lines in a German Student's Album
- [Hippona]
- On a Reader of His Own Verses
- On a Report of a Minister's Death
- [Dear Brother Jem]
- Job's Luck
- On the Sickness of a Great Minister
- [To a Virtuous Oeconomist]
- [L'Enfant Prodigue]
- On Sir Rubicund Naso
- to Mr. Pye
- [Ninety-Eight]
- Occasioned by the Former
- [A Liar by Profession]
- To a Proud Parent
- Rufa
- On a Volunteer Singer
- Occasioned by the Last
- Epitaph on Major Dieman
- On the Above
- Epitaph on a Bad Man (Three Versions)
- To a Certain Modern Narcissus
- To a Critic
- Always Audible
- Pondere non Numero
- The Compliment Qualified
- What is an Epigram
- Charles, grave or merry
- An evil spirit's on thee, friend
- Here lies the Devil
- To One Who Published in Print
- Scare any scandal
- Old Harpy
- To a Vain Young Lady
- A Hint to Premiers and First Consuls
- From me, Aurelia
- For a House-Dog's Collar
- In vain I praise thee Zoilus
- Epitaph on Mercenary Miser
- A Dialogue between an Author and his Friend
- Μωροσοφία or Wisdom in folly
- Each Bond-street buck
- From an Old German Poet
- On the Curious Circumstance, That in the German
- Spots in the Sun
- When Surface talks
- To my Candle
- Epitaph on Himself
- The Taste of the Times
- On Pitt and Fox
- An excellent adage
- Comparative Brevity of Greek and English
- On the Secrecy of a Certain Lady
- Motto for a Transparency (Two Versions)
- Money, I've heard
- Modern Critics
- Written in an Album
- To a Lady who requested me to Write a Poem upon Nothing
- Sentimental
- So Mr. Baker
- Authors and Publishers
- The Alternative
- In Spain, that land
- Inscription for a Time-piece
- On the Most Veracious Anecdotist
- Nothing speaks our mind
- Epitaph of the Present Year on the Monument of Thomas Fuller
- Close sectionJeux D'Esprit
- My Godmother's Beard
- Lines to Thomas Poole
- To a Well-known Musical Critic
- To T. Poole : An Invitation
- Song, to be Sung by the Lovers of all the noble liquors
- Drinking versus Thinking
- The Wills of the Wisp
- To Captain Findlay
- On Donne's Poem 'To a Flea'
- [Ex Libris S. T. C.]
- ΕΓΩΕΝΚΑΙΠΑΝ
- The Bridge Street Committee
- Nonsense Sapphics
- To Susan Steele
- Association of Ideas
- Verses Trivocular
- Cholera Cured Before-hand
- To Baby Bates
- To a Child
- Fragments from a Notebook Circa 1796–98
- Fragments from Coleridge's Notebooks
- Close sectionMetrical Experiments
- An Experiment for a Metre (I heard a Voice)
- Trochaics
- The proper Unmodified Dochmius
- Iambics
- Nonsense (Sing, impassionare Soul)
- A Plaintive Movement
- An Experiment for a Metre (When thy Beauty appers)
- Nonsense Verses (Ye fowls of ill presage)
- Nonsense (I wish on earth to sing)
- Experiments in Metre (There in some darksome shade)
- Once again, sweet Willow, wave thee
- Songs of Shepherds, and rustical Roundelays
- A Metrical Accident
- NOTES BY PROFESSOR SAINTSBURY
- Close section
End Matter
- Close sectionAPPENDIX I
- Close sectionFirst drafts, early versions, etc.
- A. Effusion
- A. Effusion
- B. Recollection
- C. The Destiny of Nations
- C. The Destiny of Nations
- C. The Destiny of Nations
- D. Passages in Southey's Joan of Arc
- E. The Rime of the Ancyent Marinere
- F. The Raven
- G. Lewti; or, The Circassian's Love-chant
- G. The Circassian's Love-Chant
- G. Lewti; or, The Circassian's Love-chant
- H. Introduction to the Tale of the Dark Ladie
- Close sectionI. The Triumph of Loyalty. An historic Drama.
- J. Chamouny; The Hour before Sunrise. A Hymn.
- K. Dejection : An Ode
- L. To W. Wordsworth. January 1807
- M. Youth and Age.
- M. Youth and Age.
- M. Youth and Age.
- N. Love's Apparition and Evanishment.
- O. Two versions of the Epitaph (Stop, Christian)
- P. [Habent sua Fata-Poetae.] (The fox, and Statesman)
- Q. To John Thelwall
- R. [Lines to T. Poole.]
- Close sectionFirst drafts, early versions, etc.
- Close sectionAPPENDIX II
- Close sectionAPPENDIX III [Vide ante p. 237.]
- Close sectionAPPENDIX IV
- Close sectionAPPENDIX V
- Close sectionAdaptations
- From Fulke Greville, Lord Brooke: God and the World we worship still together
- From Fulke Greville, Lord Brooke: The Augurs we of all the world admir'd
- From Fulke Greville, Lord of Brooke: Of Humane Learning
- From Sir John Davies: On the Immortality of the Soul
- From Donne: Eclogue. 'On Unwothy Wisdom'
- From Donne: Letter to Sir Henry Goodyere
- From Ben Jonson: A Nymph's Passion (Mutual Passion)
- From Ben Jonson: Underwoods, No. VI. The Hour-glass
- From Ben Jonson: The Poetaster, Act I, Scene i
- From Samuel Daniel: epistle to Sir Thomas Egerton, Knight
- From Samuel Daniel: Musophilus, Stanza CXLVII
- From Samuel Daniel: Musophilus, Stanzas XXVII, XXIX, XXX
- From Christopher Harvey: The Synagogue (the Nativity, or Christmas Day)
- From Mark Akenside: Blank Verse Inscriptions
- From W. L. Bowles: - 'I yet remain'
- From an old Play: Napoleon
- Close sectionAdaptations
- Close sectionAPPENDIX VI
- Close sectionOriginals of Translations
- F. von Matthison: ein milesisches Mährchen, Adonide
- Schiller: Schwindelnd trägt er dich fort auf rastlos strömenden Wogen
- Schiller: Im Hexameter steigt des Springquells flüssige Säule
- Stolberg: Unsterblicher Jüngling!
- Stolberg: Seht diese heilige Kapell!
- Schiller: Nimmer, das glaubt mir
- Goethe: Kennst du das Land, wo die Citronen blühn
- François-Antoine-Eugène de Panard: 'Batelier, dit Lisette'
- German folk Song: Wenn ich ein Vöglein wär
- Stolberg: Mein Arm wird stark und gross mein Muth
- Lessing: Ich fragte meine Schöne
- Stolberg: Erde, du Mutter zahlloser Kinder, Mutter und Amme!
- Friederike Brun: Aus tiefem Schatten des schweigenden Tannenhains
- Giambattista Marino: Donna, siam rei di morte. Errasri errai
- MS. Notebook: In diesem Walk, in diesen Gründen
- Anthologia Graeca: Κοινῇ πὰρ κλισίῃ ληθαργικὸς ἠδὲ φρενοπλὴξ
- Battista Guarini: Canti terreni amori
- Stolberg: Der blinde Sänger stand am Meer
- Close sectionOriginals of Translations
- BIBLIOGRAPHY
- BIBLIOGRAPHICAL APPENDIX
- INDEX OF FIRST LINES
- Close sectionAPPENDIX I
