Contents
Users without a subscription are not able to see the full content. Please, subscribe or login to access all content.
Contents
- Close section Front Matter
- Close sectionI. Occasional Verse
- 1. The Masquerade (1728)
- 2. 'Cantos': An Unfinished Burlesque of The Dunciad (1729–30)
- 3. Plain Truth (c.1729–1730)
- 4. A Dialogue between a Beau's Head and His Heels (1730)
- 5. An Epistle to Mr. Lyttleton (1733)
- 6. Epilogue to Theobald's Orestes: A Dramatic Opera (1731)
- 7. Epilogue to 'Charles Bodens's' The Modish Couple (1732)
- 8. Epilogue to Charles Johnson's Cælia: or, The Perjur'd Lover (1732)
- 9. Prologue to Lillo's Fatal Curiosity (1736–7)
- Close sectionII. Occasional Prose
- 1. An Apology for the Life of Mrs. Shamela Andrews (1741)
- 2. A Full Vindication of the Dutchess Dowager of Marlborough (1742)
- Close section3. Aristophanes' Plutus, the God of Riches (1742)
- 4. Preface to Sarah Fielding's The Adventures of David Simple (1744)
- 5. The Female Husband (1746)
- Close section6. Ovid's Art of Love Paraphrased (1747)
- 7. Preface and Letters XL–XLIV of Sarah Fielding's Familiar Letters between the Principal Characters in David Simple (1747)
- Close section8. The Journal of the Voyage to Lisbon (1755)
- Introduction
- Textual Introduction The Authority of the Two Versions of Fielding's Journal of a Voyage to Lisbon Hugh Amory
- Original Title Page
- DEDICATION TO THE PUBLIC.
- THE PREFACE.
- THE INTRODUCTION
- Close sectionTHE JOURNAL OF A VOYAGE TO LISBON.
- Wednesday, June 26, 1754
- Thursday, June 27
- Friday, June 28
- Sunday, June 30
- Monday, July 1
- Tuesday, July 2
- Wednesday, July 3
- Thursday, July 4
- Friday, July 5
- Saturday, July 6
- Monday, July 8
- Tuesday, Wednesday, July 9, 10
- Thursday, July 11
- Friday, July 12
- Saturday, July 13
- Sunday, July 14
- Monday, July 15
- Tuesday, July 16
- Wednesday, July 17
- Thursday, July 18
- Friday, July 19
- Sunday, July 21
- Monday, July 22
- Tuesday, July 23
- Wednesday, July 24
- Thursday, July 25
- Friday, July 26
- Saturday, July 27
- Sunday, July 28
- Monday, July 29
- Wednesday, July 31
- Friday, August 2
- Sunday, August 4
- Monday, August 5
- Wednesday, August 7
- 9. A Fragment of a Comment on L. Bolingbroke's Essay's (1755)
- Close section
End Matter
- Close sectionAPPENDIX A
- APPENDIX B The Texts
- Close sectionAPPENDIX C
- Close sectionDocumentary Supplement to The Journal of a Voyage to Lisbon
- 1. Map of the Voyage
- 2. Illustrations
- Close section3. Correspondence
- 1. To John Fielding On board the Queen of Portugal, off Ryde, I.o.W., 12 July 1754
- 2. To John Fielding [On board the Queen of Portugal] Tor Bay, Devon, 22 July 1754
- 3. To John Fielding [Junqueira, nr. Lisbon, c.10–14 Sept. 1754]
- 4. To John Fielding [Junqueira, nr. Lisbon, c.20 Sept. 1754]
- 5. To John Fielding [Junqueira, nr. Lisbon, late Sept. 1754]
- 6. The Revd Thomas Birch to Philip Yorke; 20 October 1753 (fragment) [BL, Hardwicke Papers, Add. MS 35398, fo. 177; Life, p. 580.]
- 7. The Revd Thomas Birch to Philip Yorke; 6 July 1754 (fragment) [BL, Hardwicke Papers, Add. MS 35398, fo. 182]
- 8. The Revd Thomas Birch to Philip Yorke; 7 Sept 1754 (fragment) [BL, Hardwicke Papers, Add. MS 35398, fo. 208v; Life, p. 596]
- 9. Anonymous to Samuel Richardson 'Ryde in ye Isle of Wight March 31st 1755'
- 10. Thomas Edwards to Daniel Wray; 23 May 1755 (fragment) [Bodleian MS 1012, p. 212; Paulson and Lockwood, p. 393 n. 1]
- 11. Thomas Edwards to Samuel Richardson; 28 May 1755 (fragment) [Victoria and Albert Museum, Forster MS xii, fo. 141; Paulson and Lockwood, No. 156]
- 12. Lady Mary Wortley Montagu to the Countess of Bute; 22 September [1755] (fragment) [Complete Letters, ed. R. Halsband (Oxford, 1965), iii, pp. 87–8]
- 13. Margaret Collier at Ryde, IoW, to Samuel Richardson; 3 October 1755 (fragment) [Correspondence of Samuel Richardson, ed. A. L. Barbauld, 6 vols. (London, 1804), ii, p. 77]
- 4. Anecdote of Fielding Facing Death
- 5. Matthew Maty's Review
- Close sectionDocumentary Supplement to The Journal of a Voyage to Lisbon
- INDEX OF NAMES, PLACES, AND TOPICS IN INTRODUCTIONS, TEXTS, AND NOTES
