Jump to Content
You can change your cookie settings at any time.
Find out more
Oxford Scholarly Editions Online
View personal profile
Expand View Options
Email this content
Copy this link, or click below to email it to a friend
Email this content
or copy the link directly:
The link was not copied. Your current browser may not support copying via this button.
Link copied successfully
Jump to chapter
Gary Taylor and Gabriel Egan (eds)
The New Oxford Shakespeare: Authorship Companion
General Editors' Preface: A Complete Works
List of Illustrations
List of Tables
List of Abbreviations
The Counting of Acts and Scenes in the New Oxford Shakespeare
List of Contributors
Part One Methods
Chapter 1 Artiginality
Chapter 2 A History of Shakespearean Authorship Attribution
Chapter 3 One-Horse Races
Chapter 4 The Limitations of Vickers's Trigram Tests
Chapter 5 Who Wrote the Fly Scene (3.2) in Titus Andronicus?
Chapter 6 Refining the LION Collocation Test: A Comparative Study of Authorship Test Results for Titus Andronicus Scene 6 (= 4.1)
Chapter 7 Potential Shakespeare: The Poetic Apocrypha and Methods of Modern Attribution
Chapter 8 Shakespeare, Arden of Faversham, and A Lover's Complaint
Part Two Case Studies
Chapter 9 Arden of Faversham, Shakespearean Authorship, and 'The Print of Many'
Chapter 10 A Supplementary Lexical Test for Arden of Faversham
Chapter 11 The Joker in the Pack? Marlowe, Kyd, and the Co-authorship of Henry VI, Part 3
Chapter 12 Rawlinson Poetry 160: The Manuscript Source of Two Attributions to Shakespeare
Chapter 13 Mine of Debt: William White and the Printing of the 1602 Spanish Tragedy … with new additions
Chapter 14 Shakespeare and Three Sets of Additions
Chapter 15 Did Shakespeare Write The Spanish Tragedy Additions?
Chapter 16 Shakespeare and the Painter's Part
Chapter 17 Thomas Middleton in All's Well that Ends Well? Part One
Chapter 18 All's Well that Ends Well 4.3: Dramaturgy
Chapter 19 Thomas Middleton in All's Well that Ends Well? Part Two
Chapter 20 Middleton and the King's Speech in All's Well that Ends Well
Chapter 21 All's Well that Ends Well: Text, Date, and Adaptation
Chapter 22 Shakespeare and Middleton: A Chronology for 1605–6
Chapter 23 The Versification of Double Falsehood Compared to Restoration and Early Classical Adaptations
Chapter 24 Using Compressibility as a Proxy for Shannon Entropy in the Analysis of Double Falsehood
Chapter 25 The Canon and Chronology of Shakespeare's Works
Find Location in text
Users without a subscription are not able to see the full content. Please,
to access all content.
Copy and cite
Open this text in OSEO
Open the copy and cite lightbox
Copyright © 2023. All rights reserved.
results for "